March Is for Marches - Triple Canopy

March Is for Marches
Morgan Bassichis & Ethan Philbrick

A digital project, part of Omniaudience

Morgan Bassichis is a performer who has been called “a tall child or, well, a big bird” by the Nation and “fiercely hilarious” by the New Yorker. Recent shows include Nibbling the Hand that Feeds Me (Whitney Museum, NYC, 2019), Klezmer for Beginners (with Ethan Philbrick, Abrons Arts Center, New York City, 2019), Damned If You Duet (the Kitchen, New York City, 2018), More Protest Songs! (Danspace Project, New York City, 2018), and The Faggots & Their Friends Between Revolutions: The Musical (with TM Davy, DonChristian Jones, Michi Ilona Osato, and Una Aya Osato at the New Museum, New York City, 2017). They live in New York City.

Ethan Philbrick is a composer, cellist, and writer based in Brooklyn. He holds a Phd in performance studies from New York University and has presented work in New York at Abrons Arts Center, BRIC, the Grey Art Gallery, the Kitchen, MoMA PS1, NYU Skirball, and SculptureCenter. His writing has been published in TDR, PAJ, Women and Performance, Studies in Gender and Sexuality, and Movement Research Performance Journal. He is currently a visiting assistant professor of theatre and performance studies at Muhlenberg College. Recent projects include a choral setting of Karl Marx and Friedrich Engels’s Manifesto for the Communist Party and a series of participatory pieces for solo cello and audience members that engage with the legacy of cellist and performance artist Charlotte Moorman.

March Is for Marches was published as part of Triple Canopy’s Internet As Material project area, which receives support from the Stolbun Collection; the A G Foundation; Karyn Kohl & Silas Dilworth; the Andy Warhol Foundation for the Visual Arts; the Horace W. Goldsmith Foundation; the Jacques Louis Vidal Charitable Fund; the Lambent Foundation Fund of Tides Foundation; the New York City Department of Cultural Affairs in partnership with the City Council; the New York State Council on the Arts; and the Opaline Fund of the Jewish Community Endowment Federation and Endowment Fund.

Omniaudience

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