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The Melody Indicator
Erica Baum

A digital project, part of They Were Us, Corrected Slogans (A Publication in Four Acts)
  • Erica Baum lives and works in New York. She has had solo exhibitions at Bureau, New York; Lüttgenmeijer, Berlin; and Circuit, Lausanne. Past group exhibitions include “Subject, Index,” at Malmö Konstmuseum, Sweden. Her work will be included in the upcoming group exhibition “Postscript: Writing after Conceptual Art,” at the Museum of Contemporary Art Denver, and the 2012 São Paulo Bienal. Her work was included in the book Vitamin Ph: New Perspectives in Photography, edited by T. J. Demos (Phaidon Press, 2006). Her artist’s books include Dog Ear (Ugly Duckling Presse, 2011), with essays by Kenneth Goldsmith and Beatrice Gross, Sightings (onestar press, 2011), and Bbabaubaumbaudevin (Regency Arts Press, 2012).
“The Melody Indicator” was produced in partnership with the Museum of Contemporary Art Denver, as part of Triple Canopy’s contribution to the exhibition Postscript: Writing after Conceptual Art, curated by Nora Burnett Abrams and Andrea Andersson and on view between October 12, 2012, and February 3, 2013. “The Melody Indicator” was also published as part of Triple Canopy’s Internet as Material project area, which receives support from the Brown Foundation, Inc., of Houston, the Foundation for Contemporary Arts, the National Endowment for the Arts, the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts.
Tags: Artist Project, Poetry, Sound
16 They Were Us
  • Nineties, by Lucy Ives
  • McDonald’s, by Joshua Cohen
  • The Melody Indicator, by Erica Baum
  • Preliminary Materials for a Theory of the Young-Girl, by Tiqqun
  • Sixty-Five Years of Treason, by Per-Oskar Leu
  • The Blind Man, by Sarah Crowner
  • Sir W. Mitchell-Thomson, by David Horvitz
  • Un Coeur Simple, by Ariana Reines
  • Distant Objects Becoming Near, by Benjamin Tiven
  • International Art English, by Alix Rule & David Levine
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