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International Art English
Alix Rule & David Levine

A digital project, part of They Were Us, International Art English
  • Alix Rule is a postdoctoral fellow at the Institute for Public Knowledge. She earned a PhD in Sociology from Columbia University in 2017. She is the cofounder of Useless Press, a publishing collective that creates “eclectic Internet things.” Her writing has appeared in Dissent and Harper’s Magazine, among other magazines.
  • David Levine is an artist and writer based in New York. Recent solo exhibitions and performances include “Some of the People, All of the Time” at the Brooklyn Museum; Light Matter at Fondation Cartier (Paris); “Bystanders” at Gallery TPW (Toronto); and Private Moment with Creative Time in New York. He won an OBIE in 2013 for his performance installation Habit and is a 2018 Guggenheim Fellow. His writing has appeared in n+1, Triple Canopy, Cabinet, Frieze, Parkett, and Theater. Best Behavior (53rd State Press), an anthology of his writings on theater and performance, will be published this fall, as will the artist's book A Discourse on Method (Shonni Enelow). Levine is a professor of the practice of performance, theater, and media at Harvard University.
“International Art English” was produced by Triple Canopy as part of its Research Work project area, supported in part by the Brown Foundation, Inc., of Houston, the National Endowment for the Arts, and the New York City Department of Cultural Affairs in partnership with the City Council.
Tags: Art History, Essay, Theory
16 They Were Us
  • Nineties, by Lucy Ives
  • McDonald’s, by Joshua Cohen
  • The Melody Indicator, by Erica Baum
  • Preliminary Materials for a Theory of the Young-Girl, by Tiqqun
  • Sixty-Five Years of Treason, by Per-Oskar Leu
  • The Blind Man, by Sarah Crowner
  • Sir W. Mitchell-Thomson, by David Horvitz
  • Un Coeur Simple, by Ariana Reines
  • Distant Objects Becoming Near, by Benjamin Tiven
  • International Art English, by Alix Rule & David Levine
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