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The World Is Unknown
Carolyn Lazard

A digital project, part of Risk Pool
  • Carolyn Lazard is a Philadelphia-based artist working across video, sound, sculpture, and performance. They have screened and exhibited work at Essex Street Gallery (New York City), Anthology Film Archives (New York City), the Kitchen (New York City), the New Museum (New York City), Wexner Center for the Arts (Ohio), Camden Art Centre (UK), Kunsthal Aarhus (Denmark), and the Stedelijk Museum (Amsterdam). They have published writing in the Brooklyn Rail and Mousse Magazine.

“The World Is Unknown” was published as part of Triple Canopy’s Immaterial Literature project area, which receives support from the Andy Warhol Foundation for the Visual Arts, the Brown Foundation, Inc., of Houston, the Horace W. Goldsmith Foundation, the Lambent Foundation Fund of Tides Foundation, the National Endowment for the Arts, the New York City Department of Cultural Affairs in partnership with the City Council, the New York State Council on the Arts, and the Opaline Fund of the Jewish Community Endowment Federation and Endowment Fund. Issue 24, Risk Pool, was made possible through the generous support of VIA Art Fund.

Tags: Essay
24 Risk Pool
  • A Note on Risk Pool, by Corrine Fitzpatrick, Molly Kleiman & Lara Mimosa Montes
  • Letter to a Young Doctor, by Johanna Hedva
  • A Disaster of Insufficiency, by Prageeta Sharma with Ragna Bley
  • Illness as Festival, by Corrine Fitzpatrick
  • To Those Mad, Sick, Crip Selves, by Johanna Hedva
  • Gimme Danger, by Gregg Bordowitz
  • 噩夢牆紙, by 藝術家:白雙全
  • Nightmare Wallpaper, by Pak Sheung Chuen
  • Accessible by Default, by Cary Potter
  • On and Off Again, by Kia LaBeija
  • If Our Bodies Are Beyond Logic, by Michelle Boulé & Kayvon Pourazar
  • How We Do Illness, by Theodore Kerr, Carolyn Lazard, Lana Lin, Beza Merid & What Would an HIV Doula Do?
  • The Difference between the Signals, by Sheree Hovsepian
  • The Collected Schizophrenias, by Esmé Weijun Wang, Corrine Fitzpatrick & KADIST
  • Vintage Beinecke, by Barbara Hammer
  • Wake to Dread, by Gregg Bordowitz
  • The World Is Unknown, by Carolyn Lazard
  • My Existential Limits To the Rectification of Past Wrongs, by Tiona Nekkia McClodden
Related Content
  • Second Rate, by Jonathan Sterne & Mara Mills Two Ears and One Mouth
  • A Heavy Nonpresence, by Derica Shields Two Ears and One Mouth
  • Healing of the Nations, by Ilana Harris-Babou Unknown States
24 Risk Pool
  • A Note on Risk Pool, by Corrine Fitzpatrick, Molly Kleiman & Lara Mimosa Montes
  • Letter to a Young Doctor, by Johanna Hedva
  • A Disaster of Insufficiency, by Prageeta Sharma with Ragna Bley
  • Illness as Festival, by Corrine Fitzpatrick
  • To Those Mad, Sick, Crip Selves, by Johanna Hedva
  • Gimme Danger, by Gregg Bordowitz
  • 噩夢牆紙, by 藝術家:白雙全
  • Nightmare Wallpaper, by Pak Sheung Chuen
  • Accessible by Default, by Cary Potter
  • On and Off Again, by Kia LaBeija
  • If Our Bodies Are Beyond Logic, by Michelle Boulé & Kayvon Pourazar
  • How We Do Illness, by Theodore Kerr, Carolyn Lazard, Lana Lin, Beza Merid & What Would an HIV Doula Do?
  • The Difference between the Signals, by Sheree Hovsepian
  • The Collected Schizophrenias, by Esmé Weijun Wang, Corrine Fitzpatrick & KADIST
  • Vintage Beinecke, by Barbara Hammer
  • Wake to Dread, by Gregg Bordowitz
  • The World Is Unknown, by Carolyn Lazard
  • My Existential Limits To the Rectification of Past Wrongs, by Tiona Nekkia McClodden
Related Content
  • Second Rate, by Jonathan Sterne & Mara Mills Two Ears and One Mouth
  • A Heavy Nonpresence, by Derica Shields Two Ears and One Mouth
  • Healing of the Nations, by Ilana Harris-Babou Unknown States

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