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Endgame Tourism
Lisi Raskin

A digital project, part of Active Recollections, Negative Infinity
  • Lisi Raskin ’s on-site research of Cold War relics has informed the making of drawings, objects, videos, and large, constructed environments that simultaneously quell and stimulate her fear of technological progress and pathology. She is currently working on a performance and a series of constructions designed to send healing energy into the past, present, and future. Raskin has exhibited her artwork at the Frankfurter Kunstverein, the Contemporary Art Center Vilnius, MoMA PS1, and the Blanton Museum of Art in Austin, Texas. In 2009, Raskin participated in the Istanbul Biennial.
“Endgame Tourism” was commissioned by Triple Canopy as part of its Internet as Material project area, supported in part by the Brown Foundation, Inc., of Houston, the Foundation for Contemporary Arts, the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts.
Tags: Artist Project, Conflict, Conversation, Photography
15 Negative Infinity
  • Beyond Passaic, by Bryan Zanisnik
  • Moscow, by Yevgeniy Fiks
  • Amnesia Pavilions, by Nicholas Muellner
  • Forecasts, by Cathy Park Hong & Adam Shecter
  • Endgame Tourism, by Lisi Raskin
  • Our Weirdness Is Free, by Gabriella Coleman
  • Bodies Against Time, by Zoe Beloff
  • Call and Response, by Triple Canopy
  • Anonymity as Culture: Treatise, by David Auerbach
  • Anonymity as Culture: Case Studies, by David Auerbach
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